Chapter 9 / 12 3 min read

Digital imitations who may speak for a real person

The conditions of contact and how it changes

A photograph and an original letter lie apart from a new bubble created by a device.

An author-created example archive · no real voice

Who actually said that sentence

Three objects have three different origins. Their labels matter more than a similar tone in the sentence.

Original document

Letter

‘I remember the Sunday trip fondly.’

Origin: recorded authorship of the letter

What this origin establishes

In the example archive, the sentence is part of the original letter. It establishes what its author wrote then, not what they would say today.

Original recording, selected by the interface

Text transcription of a recording

‘I’ve always liked the woods.’

Origin: a traceable section of a recording, here without sound

What this origin establishes

The sentence comes from an original recording. Its selection by the interface today is not a new decision by the original speaker.

New system output

Generated sentence

Sensitive fictional text from a digital imitation of a father remains closed until you decide to open it yourself.

I want to read the generated sentence
‘I forgive you for that last conflict.’

Origin: new text created by the system

What this origin establishes

No evidence of the father’s decision. An imitation’s willingness cannot confirm a real person’s consent or decide on their behalf.

The impression can be powerful. But the origin determines whether a claim establishes a memory, a retrieved record or a new system output.

You do not have to read generated text to explore its origin. The choice to encounter it belongs to the person, not the archive.

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In a loved one’s last voice message, you hear a sentence they actually said. In a generated imitation, you may hear a sentence they never spoke. This difference is the foundation of decisions about services offering a ‘digital return’.

An archive, a recording and a generated response

A photograph, letter or original recording captures something a person actually created. An interactive interface can find their recorded answer. A generative imitation, by contrast, also creates new sentences. Similarity of style or voice does not make them the actual expression of the person portrayed.

In an example situation, a bereaved woman hears in her father’s voice that he forgives her for an old conflict. It may affect her deeply. But if the system created the sentence, it is not a newly discovered record of her father’s decision. The response establishes nothing about what he thought.

Likewise, new instructions about inheritance, family relationships or treatment cannot be derived from an imitation. The practical problem is not only a possible factual error. It also concerns whom we attribute authorship and authority to.

Who consents to such an encounter

The wish to hear a familiar voice once more is understandable. Before encountering its imitation, you need to know whether you will hear an actual recording or newly created words. The decision whether to enter such contact also belongs to you.

Hollanek and Nowaczyk-Basińska’s 2024 ethical analysis distinguishes the people whose data are used, holders of those data and people communicating with the simulation. It recommends transparency, consent and the possibility of sensitive closure. This is ethical work with example scenarios, not clinical verification of whether simulations treat or worsen grief.[1]

An archive of real memories, searching original recordings and talking to a generating imitation are different experiences. We cannot consider their effects identical; we do not recommend a digital imitation here as treatment for loss. Before creating one, clarify what will be preserved, who may use it and whether the recipient wants such contact.

Do not give a simulation of someone who died as an unexpected gift. Being able to decline contact matters as much as being able to initiate it. For a child, we would not offer a generating imitation of a parent as their continuing authority or as a preventive or therapeutic aid.

Living people have boundaries too

A digital version of a former partner or classmate raises another question of consent. The real person can refuse contact while the created character responds to the user’s instructions. Its willingness says nothing about the actual person’s wishes.

It is inappropriate to use an imitation to ‘train’ how to break through their refusal or to obtain supposed information about their feelings. Respect for a human boundary does not disappear because a differently responding digital version can be created.

Someone who does not use AI can be affected too

A fake intimate photograph, forged voice message or invented conversation can affect a real person’s reputation and safety. In such a situation, do not begin by debating whether the picture is ‘only artificial’.

Help the affected person find support and use the service’s reporting process. Record, for example, the post address, account and time. Do not unnecessarily send the material to more people. For sexual content depicting a child, do not request further copies or distribute it as evidence around the school; consult an appropriate specialist service or police on the procedure. Image-based abuse guidance also includes material created or edited with AI.[2]

In blackmail or immediate danger, do not wait for an automated analysis. Help contacts also apply to a situation that began digitally.

Sources and notes for this chapter
  1. Hollanek, T., Nowaczyk-Basińska, K. Griefbots, Deadbots, Postmortem Avatars: on Responsible Applications of Generative AI in the Digital Afterlife Industry. Philosophy & Technology 37, 63, 2024. doi.org/10.1007/s13347-024-00744-w. The abstract and primary record were used. An ethical analysis of example scenarios, not a study of therapeutic effectiveness for bereaved people. ↩︎

  2. eSafety Commissioner. Report image-based abuse: esafety.gov.au/key-topics/image-based-abuse/report-image-based-abuse. Verified 10 September 2026. Safety orientation including digitally altered content. For a Czech case, use local help and legal procedures; Australian jurisdiction does not automatically extend to the Czech Republic. ↩︎